“Broken Flowers” Review

Anything directed by Jim Jarmusch is worth watching, even though his movies don’t always do much for me (Dead Man and Coffee and Cigarettes). His camera quietly observes people in an unobtrusive way that brings out the subtleties of character and has us feeling for them because they’re just so unremarkable. Broken Flowers, a road trip movie about a guy (Bill Murray) looking for a woman who leaves an unsigned letter in his mailbox informing him that he has a son, is Jarmusch’s most conventional movie to date, and as good as anything he’s done. It’s one of my favourite movies from 2005.

Bill Murray’s low-key acting style is perfect for a character bored enough with his life that he’ll drive across the country visiting old girlfriends. He doesn’t tell them directly why he’s come to see them. His approach is, “By the way, you don’t have any children, do you?” Each of his old girlfriends has a distinctive history, some of them sad, some of them scarred, some of them bizarre — all of them potential mothers of a son he’s never met. It’s a quietly dramatic movie with enough funny moments to keep it entertaining. And Jeffrey Wright as Winston is the best (the guy in the trailer who says, “Congratulations, you’re a father!”). The soundtrack is excellent too. I’ve watched Broken Flowers on DVD a few times now. It works well on a rainy Sunday afternoon.

About Phillip

Phillip Cairns is a beekeeper in St. John's, Newfoundland, who writes about beekeeping at mudsongs.org.

2 Replies to ““Broken Flowers” Review”

  1. I think you need to renew your Rx for anti-depressants. Don’t be watching this over and over. Twice was sufficient. May I suggest some Marx Brothers?

  2. Come on, I’ve watched it a few times since 2005. That’s not over and over again. It’s not a conventional movie, but it’s a good one. It’s not depressing at all. Boring maybe, to some, but it’s not a downer. You want depressing? Watch Jarmusch’s “Dead Man” instead. Striking B&W photography, but not a glimmer of hope anywhere in that one.

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