A Movie for Writers: “Midnight in Paris”

  Midnight in Paris was the most enjoyable movie I saw in the summer of 2011. A disaffected writer visiting Paris experiences something surreal during a midnight stroll that changes his outlook on life. The movie is funny, smart and full of subtle insights about life, the universe and everything. I can’t say any more without giving away the best parts.

The trailer is careful not reveal any of the key elements of the movie. The linked review is one of the few I’ve found online that discusses the relevant qualities of the movie without giving anything away.

Pseudo Django Reinhardt Biopic

  Woody Allen’s Sweet and Lowdown stars Sean Penn as a Django Reinhardt styled guitarist during the Depression. It’s not as boring as I thought it was the first time I saw it 10 years ago, and it’s not all that bad, but you might have to appreciate Woody’s Allen sensibilities to get into it. It plays more like a straight bio than a comedy, so it’s kind of funny and kind of not, but as with all of Allen’s period movies, it’s got a great look. (Today happens to be Django Reinhardt’s birthday.)

Wacky “Triplets of Belleville”

Some movies I watched over the past two weeks.

Sketches of Frank Gehry — A documentary directed by Sydney Pollack about Frank Gehry, an architect famous for designing buildings that look like things you’d see in an art gallery and wonder, “What the hell is this supposed to be?” It’s a straightforward telling of how and why he became an architect. A portrait of an artist / architect. Interesting to see how he works. (Mar. 2/08)

Interiors (1978) — Woody Allen’s follow-up to Annie Hall. A story about a dysfunctional family, a group of people so used to being discontent they don’t know how to just shut up and be happy. Somewhat agonizing to watch because no one ever stops complaining. It’s uncomfortably realistic at times. Reminds me of the wallowing misery of some Ingmar Bergman films. (Mar. 1/08)

Rescue Dawn / Little Dieter Needs To Fly — In Rescue Dawn, Christian Bale tries to escape from a Viet Cong prison camp in this by-the-numbers P.O.W. movie directed by Werner Herzog. Although based on a true story, it’s pretty light stuff compared to something like The Deer Hunter. The documentary, Little Dieter Needs to Fly, also directed by Herzog, presents a slightly more compelling take on the story. Both films are interesting but seem emotionally cold and less affective than they could be. (Feb. 23/08)

The Triplets of Belleville — Crazy animation, definitely on the bizarre side, surreal, sad and poignant at times, grotesque, yet elegant and perhaps profound, and highly satirical. I just took a peek at Ebert’s review and I notice he tries to describe it like I just did: “It is creepy, eccentric, eerie, flaky, freaky, funky, grotesque, inscrutable, kinky, kooky, magical, oddball, spooky, uncanny, uncouth and unearthly. Especially uncouth. What I did was, I typed the word “weird” and when that wholly failed to evoke the feelings the film stirred in me, I turned to the thesaurus and it suggested the above substitutes — and none of them do the trick, either.” Read the linked reviews to get an idea of what we’re talking about. (Feb. 22/08)

Be Kind Rewind — I’ll probably watch Michel Gondry‘s next movie without reading any reviews first, because even when he’s made a ho-hum movie like this one, it’s still more interesting than 90% of the movies that play at my local multiplex throughout the year. That said, I’m disappointed to say I wasn’t too engaged by this one. Jack Black’s magnetized brain erases all the tapes in a video store. He and his buddy set out to re-shoot all the movies onto the original VHS tapes, which are then rented out to customers. The tapes are a big hit and business starts to boom. It’s good-natured wackiness — and I love the idea of it — but it’s more suited for a short film, not a feature. (The Be Kind Rewind website looks like fun.) (Feb. 22/08)

I don’t highly recommend any of these films, but if I had to pick just one to see, I’d say The Triplets of Belleville, because it is so completely wacky and bizarre. I’ve never seen anything like it. The animation is way out there (though I admit I don’t watch much animation). It’s definitely not for kids. This was my second viewing of it, and I enjoyed it more this time around. My reaction the first time I saw it was, “This is too much.” I still think it’s too much for most viewers, but it’s so unusual, it’s worth a look. People who know anything about animation will probably love it.

Woody Allen Interview (audio magazine)

Woody Allen did an interview on CBC Radio 1 yesterday. I just listened to the audio magazine of the interview. I don’t have to time to write up anything, but it was informative and funny. He’s a smart guy and, despite his lack of critical success in recent years, one of the most talented film directors living today.
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