Hanna is about a girl raised in the woods by her former super secret agent father who has trained her to be the ultimate soldier and killing machine. But really she’s just sad and lonely and misunderstood. Or something. Watch the trailer to see all the best parts of the movie.
“Hanna” could have been tense and emotionally engaging, but I began to lose interest about 10 minutes into it because all the musical cues and the editing were too obvious. Quiet music or no music + slow edits = empathy. Loud music + frantic edits = tension. Repeat and rinse, then fade to black. The elements for an exceptional action thriller are there, but they’re diminished by unimaginative choices made in post-production.