I miscounted how many days I have left. Tomorrow’s my last day here, not today. So I’m adding one more song to my list of 30 Songs. It’s “This Goddamn House” by a multi-instrumentalist group called The Low Anthem. I discovered them last night while searching for YouTube videos of Jolie Holland. They don’t exactly make upbeat music (from what I’ve heard so far), yet it’s not depressed or forlorn.
I put all my MP3s into one big playlist, hit the “Shuffle” button and this is first song that came up: Sonny Terry and Brownie McGhee’s cover of Randy Newman’s “Sail Away.” Good enough. Thus ends my list of 30 songs that left a strong impression on me at some point in my life. Some of the songs still resonate with me. Some don’t. The Buena Vista Social Club, Chirstine
Tom Waits is heard in my house more than anyone else, so he gets two entries on the big 30 Songs list. I can understand how Tom Waits isn’t everyone’s cup of coffee. He’s got a style that leaves most people wondering, “What the hell is that?” He doesn’t make radio-friendly music. I doubt “Black Wings” was ever a big hit. (These are good things, by the way.) My appreciation
Ladies and gentlemen, “I Believe in You,” by Black Dub. Black Dub has Daniel Lanois on guitar, piano and lap steel; Trixie Whitley on vocals and a bit of drums; Daryl Johnson on bass; and Brian Blade on drums. What a band. Although Daniel Lanois is known for his wizardry behind the console as a producer, the Black Dub debut album feels raw most of the time as if the
I put Jolie Holland in the same class as Bob Dylan and Tom Waits because of her ability to assimilate traditional music into a sound and style that is singularly her own. She also happens to have an unusual voice that, not unlike Bob Dylan and Tom Waits, doesn’t exactly have mass appeal. One reviewer said she sings like she’s got a mouth full of marbles. Maybe, but she makes