Anderson’s attention to detail is too much to take in. A second viewing might be necessary to fully appreciate what the hell’s going on. I recently re-watched Anderson’s The Life Aquatic with Steve Zissou and The Royal Tenenbaums and enjoyed them more the second time around, especially The Royal Tenenbaums. His movies seem designed for multiple viewings. I plan to watch Rushmore and The Dargeeling Limited this weekend.
Anything directed by Jim Jarmusch is worth watching, even though his movies don’t always do much for me (Dead Man and Coffee and Cigarettes). His camera quietly observes people in an unobtrusive way that brings out the subtleties of character and has us feeling for them because they’re just so unremarkable. Broken Flowers, a road trip movie about a guy (Bill Murray) looking for a woman who leaves an unsigned letter in his mailbox informing him that he has a son, is Jarmusch’s most conventional movie to date, and as good as anything he’s done. It’s one of my favourite movies from 2005.
Bill Murray’s low-key acting style is perfect for a character bored enough with his life that he’ll drive across the country visiting old girlfriends. He doesn’t tell them directly why he’s come to see them. His approach is, “By the way, you don’t have any children, do you?” Each of his old girlfriends has a distinctive history, some of them sad, some of them scarred, some of them bizarre — all of them potential mothers of a son he’s never met. It’s a quietly dramatic movie with enough funny moments to keep it entertaining. And Jeffrey Wright as Winston is the best (the guy in the trailer who says, “Congratulations, you’re a father!”). The soundtrack is excellent too. I’ve watched Broken Flowers on DVD a few times now. It works well on a rainy Sunday afternoon.