A Serious Man, directed by the Coen Brothers, is about a physics professor in 1967 who’s life is going down the toilet one piece at a time. Everything in the movie is so well done — the look, the feel, the acting — any random 2 minutes of “A Serious Man” is more interesting, intelligent and entertaining than most entire movies I’ve seen recenlty. This is filmmaking. And it’s fun, not cruel or bizarre like some Coen Brothers movies can be.
I’ve watched it twice since I got the DVD and enjoyed it even more the second time around. (This is a recycled post.)
No Country for Old Men is the best movie I’ve seen from the Coen Brothers. Naturally, it’s about a psychotic killer with a high-pressure air gun looking for stolen money, and another guy who stole the money running from the guy with the air gun.
I normally don’t care much for the way the Coen Brothers use lethal violence in their movies, but in this case it’s fascinating and compelling because it’s so cinematic. It’s a pleasure to watch the craftsmanship that goes into it. And it’s not all for show. The images and the subtle details work together to create a story and a weird reality that takes you for a ride and leaves you thinking, “What the hell was that?” It’s a crime drama, a thriller, a comedy and a morality tale, and it’s entertaining. (A detailed analysis and discussion of the film on Jim Emerson’s Blog.)